An analysis of the interpretive method of Attar Neyshabouri's Conference of the Birds based on the theory of visual perception of Gestalt

Gestalt is defined as the psychological science of knowing form and shape, which emerged in Germany in the first half of the 20th century. This theory states that the human brain uses this method to understand complex issues that are made up of various components. to summarize in the form of a single topic and firstly get a general understanding of that topic. This theory is presented based on how the eye organizes visual experiences, which has had an impact in various fields of science, philosophy, and art. In this research, which has been carried out in a descriptive-analytical method, and its information has been collected in a library manner, and its subject is within the scope of the author's professional experience and education, in the analysis, Conference of the Birds of al-Tayr is analyzed from two perspectives, form and meaning. The basis of Gestalt theory has been investigated and such findings have been reached. The present article, which was made with the aim of getting familiar with the performance of each of these principles in art and specifically in poetry, has answered the question that the organization of poetry in terms of form and meaning based on the above theory in Al-Tir Conference of the Birds poems has what characteristics in terms of It is visual (face) and semantic. The results of this research show how to organize the poem both in terms of form and meaning in accordance with the seven Gestalt laws, including: the principle of proximity, the principle of similarity, the principle of continuity and continuity, the principle of overlapping, role and context relationships, the principle of integration, and the principle of common destiny. It can be studied and evaluated that the process of visual perception is formed by applying these rules.